For over half a century, 60 Minutes' fearsome newsman Mike Wallace went head-to-head with the world's most influential figures. Relying exclusively on archival footage, the film interrogates the interrogator, tracking Wallace's storied career and troubled personal life while unpacking how broadcast journalism evolved to today’s precarious tipping point.

The Mike Wallace Interview is a series of 30-minute television interviews conducted by host Mike Wallace from 1957 to 1960. Before The Mike Wallace Interview was televised nationally on prime-time in 1957, Wallace had risen to prominence a year earlier with Night-Beat, a television interview program that aired in New York City. (1957)

Viewers outside Canada, and Canadians themselves, here have the pleasure of looking at, understanding, and discovering the many facets of this vast land, presented in choice film footage that is at once informative, visually appealing, and absorbing.

Gaston Le Crayon is a French (kind of beatnik-looking) artist who brings his artwork to life. He's doing a famous painting to be. Movie director Alfred Fitchcock moves in next door. Fitchcock is making a movie about a man stranded in the frozen Arctic. Gaston takes it seriously. He paints a toaster, stuffs the freezing man in it, and pops him out like a piece of toast. Gaston thinks that he's doing a good deed. Fitchcock is furious.

For over 40 years, Harold has been running a successful business, Lunde Furniture, together with his wife, Marny. This comes to an end when IKEA decides to open a new superstore right next door to Harolds small furniture shop. Harold and Marny lose both their shop and their home to the bank, and to make matter worse, Marny is starting to lose her memory. In mounting anger and desperation, Harold wants revenge. He arms himself with a pistol, gets into his old Saab, and sets off for lmhult, Sweden, to kidnap his nemesis, the founder of IKEA, Ingvar Kamprad.

A story about Hannah (Anna Åström), a young woman who is very shy on the outside, but whose inner world is deep, exciting and vibrant. One day, Hannah notices a house that looks as if it is cut out from a hip home decorating magazine. Intrigued, she decides to break in and try to find out who owns this emotionless beautiful home equipped with high-end technology. While at first Hannah enjoys the luxury, she starts to notice on each visit that Max (Stipe Erceg), the owner of the house, is excessively obsessed with his physical possessions. He has spent a lot of time to make sure that everything external meets the society’s standards that he has forgotten himself. The things that he himself likes, the activities that make him smile, and the people who make him happy. Having realised that, Hannah starts leaving hints for Max, so as to shake him out of the the everyday emptiness and make him focus on what is important.

18-year-old Kathleen is fresh out of foster care. Her departure coincides with the death of her biological mother, so she returns to her hometown to take ownership of her mother’s house. She gets a job and even a friend; but the emptiness of Kathleen’s life cannot be filled by social media and reality shows. Alone and desperate for a mother figure, she sets out on a destructive path to find one.

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A retrospective on 20th century events.

A story about a group of countryside children playing detectives in their village.